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The hand

Written in thread, by hand.

Every NAZMEVA piece is embroidered by hand, by karigars in Lucknow and the villages around it. Every close-up on this site is a photograph of the real piece, never a rendering.

On the frame

15 days

to three months

So much of what is sold as chikankari today is made in a hurry. NAZMEVA exists for the other kind: the kind that takes fifteen days, or three months, and is worth it.

A piece stays on the frame for as long as its detail asks. The more it holds, the longer it stays.

What happens before she sees it.

  1. 01

    The drawing

    The motif is drawn and carved into wooden blocks.

  2. 02

    The outline

    The outline is block-printed onto the cloth in a colour that washes out.

  3. 03

    The frame

    The cloth goes onto the frame and is embroidered by hand, stitch by stitch.

  4. 04

    The wash

    The piece is washed to lift the printed outline, leaving only thread.

  5. 05

    The finish

    It is finished, pressed, checked and given its piece number.

A vocabulary of stitches.

Chikankari has more than thirty named stitches. These carry most of the work in this collection.

Tepchi

A long running stitch that draws stems and outlines.

Bakhiya

Shadow work, stitched from the reverse so the motif glows through fine cloth.

Murri

Rice-shaped knots that give petals their raised centre.

Phanda

Tiny knotted grains, often the heart of a flower.

Jaali

Threads teased apart to make an open lattice, with no fabric cut.

Mukaish

Flattened metal wire worked through the cloth as a dot of light.

The maker’s note

Crafted slowly, kept forever.

Technique
Hand-embroidered chikankari
Made by
Karigars in Lucknow and the villages around it
On the frame
Fifteen days to three months
Piece no.
One per garment, on the label and the page

Every piece carries one

The note travels with the garment: what it is, how it was made, and the number that is only its own.

In time, it will carry the name of the karigar who made it.

See the pieces